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Laser Buddha
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Mongolian Shaman with Mask and Artifacts
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Mongolian Shaman with Ear Ring
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Mongolian Shaman with Drums and Crystals
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Mongolian Shaman with Uan Dynasty Silver Plate
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Tuva Shaman with Falcon Head Dress
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Korean Shaman with Crystals
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Shiva Dancing in Chicago
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Blu Ray Buddha With Necklace
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Kwan Yin In Cyber Cloud
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Kwan Yin Prayer Kite
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Chinaberry Buddha With Mirrors
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Buddha In the Light With Hildegard Music Spheres
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Tara Trilogy I
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Tara Trilogy II
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Blue Buddha Warrior
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All The Ming's Horses
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Sendai Warrior With Gaman Frescoes
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Blue Ray Buddha
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Ancestors of the Light
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Zen Pony With Dreamscape
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Goddess of the Eternal Flame
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Sisters of the Dance
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Green Tara Rising
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Reflection
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Tara and the Blue Stunde
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Quartz Crystal Meditation
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Sendai Portrait
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Mongolian Shaman Bride
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Amethyst Puja
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The Visitation
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Genghis In Green
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Buddha With Bells
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Flora Goddess Excavation
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Buddha With Orange Dots
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Sadhu In Space
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Archeological Poem - Homage to John Donne
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Mongolian Hunter With Eagles
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Fishmonk With PTSD Brain Scan
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Buddha on the Blue Line Metro - Los Angeles
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Beauty and the Box With Chinese Pony
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Buddha Dreams
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Chief Seattle With Ear Rings
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Mayan Stargazer With Planetery Map
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Ascending Angel
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Billie (Lady Day) Holiday
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Miles (Buddha Man) Davis
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Maya Angelou and Friend
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Maya Angel-Goddess
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John Lenon With Tonal Spheres
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Angelic Ancestor in the Tatras
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Kite Master - Hide and Seek
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Broken and Healed - Series 5 |
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Broken Raw | Healed | |||
~~~~~~~~~~ |
Ron Kowalke 'transitioned' in March of 2021, having lived and worked for many years in Kailua on the island of Oahu. He was also Professor emeritus in the Painting and Drawing Program at the University of Hawaii.
Artist’s Statement:
NOTES FROM THE SECRET LIVES OF BUDDHIST TERMITES: "LASER BUDDHA" PAINTING
I have visited the great masters with a sense of awe, honor and respect. I’ve answered the door of contemporary strangers knocking fiercely, hoping for integrity, sans politics, transparency, invention and profound musings.
I am inspired by the genius of Piero della Francesca, mystified by the Rorschachs of Max Ernst and the wondrous magical cubism of Walter Murch.
The “Laser Buddha” painting was born partly from those metaphysical sparrings of Meister Eckhardt, Joseph Beuys, Rumi, Hildegard von Bingen, Karlfried Gras von Durheim. Those, together with genealogical speculation and research in progress, suggest that the DNA bloodline of my maternal grandfather is related to both Chinese and Mongolian ancestry.
Prompted by the wizardly world of physics and visually entranced with the elegant art of the Himalayas, I plotted a strategy born of honoring both the spiritual resonance of the Dalai Lama and the cumulative sorcery of quantum physics.
Mounting the primordial “body electric” including our planetary system and sundry string, nano, and delusional theories of creation and evolution, the intriguing thought of the Buddhist philosophy of “living” matter suggested the surreal proposition that spiritual energy is equal to measurable physical energy.
Thus, the notion that a prayer wheel turning in Katmandu is equal in importance and substance to the recent “collider” event at CERN.
I pose the question of termites feasting away on a wood carving of a 15th century Burmese Tara figure. Does the spiritual energy of millions of devotees equal that of an atomic bomb testing in the Bikini Islands, or an improvised explosive device in Baghdad?
Do the termites inherit the “manna” of the digestible wood or the altered state of wishes, dreams, plea’s, hope, forgiveness and confessions? Prayer flags waving in the Himalayas; is each flutter a prayer or possibly a call for peace or an ornament servicing the faithful.
Blatant curiosity lead to the Buddhists tradition of “relics” and “pearls” left by monks after cremation and en route to Nirvana? Certainly not the bones of saints or faith warriors of the incense breathing and Gregorian chanting of my youth in Chicago.
The notion of transformation from flesh and bone to jewel like “artifacts” left by the deceased holy one to be enjoyed for benefit of devotees ignited my curiosity and converted my sense of visual symbols, esoteric pictograms along with questions of spiritual metamorphosis.
The “Laser Buddha” painting was the catalyst for exploring other “eastern” caves of mystery and intrigue which gave birth to a Kwan Yin meditation series along with Garden Buddhas, Hologram images and the Land of the Shaman expeditions.
Blu Ray Buddhas and Dancing Shivas in the making.
August 12, 2010
(Curator's note: Lazer Buddha is the first in this intriguing series.)
Artist's resume:
Ron Kowalke was born on November 8,1936 in Chicago, Illinois. After graduation from Chicago Vocational High School, he spent two years at the School of the Art Institute and the University of Chicago. Following his graduation from Rockford College with a B.F.A. in 1959, he studied painting and sculpture at Cranbrook Academy of Art in Bloomfield Hills, Michigan where he received an M.F.A. in 1960.
In the 60s, Ron taught art at Northern Illinois University in DeKalb, and at the Swain School of Design in New Bedford, Massachusetts. In 1969, he joined the art faculty at the University of Hawaii where his is a professor in the Painting and Drawing Program.
Ron Kowalke's work is included in permanent collections including the Metropolitan Museum of Art, the Boston Public Library, the Library of Congress, the Honolulu Academy of Art, the Contemporary Museum in Honolulu, and the Hawaii State Foundation on Culture and the Arts. His career includes participation in more than one hundred solo and group shows. Kowalke exhibits in the United States and in Europe, including Germany, France and Poland.
Other work by this artist:
Spirit Guides: https://www2.hawaii.edu/~kowalke/
Windows Of Fire: https://wof.travislum.com/